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Heaven Of English Studies : Theatre script of The Prose 'Three Questions'
Heaven Of English Studies : Theatre script of The Prose 'Three Questions': Film/Theatre script · Introduction What is film? A film is a series of still images which creates an illusion of movin...
Theatre script of The Prose 'Three Questions'
Film/Theatre script
·
Introduction
What is film?
A film is a
series of still images which creates an illusion of moving images when on a
screen. This helps us to discover continuous motion between different objects
viewed rapidly in succession.
The process of film-making is both
an art and an industry which include an optical sound track, which is a graphic
recording of the spoken words, music and other sounds that are needed to
accompany the images.
·
What
is Theatre?
Theatre is one of the most popular forms of fine art. It
is a collaborative form of art. In this form of art we find live performers who
present real or imaginary events of our life. It is performed in front of an
audience live in an auditorium or sometimes on an open-air state.
·
What
is a script?
A script is
a written form of outline which contains audio, visual, behavioral and
linguistic elements which are needed to present a life-like situation. Script
is very important because film and theatre require a team effort consisting of
the director, the editor, actors, actresses, technical persons, makeup artistes
etc. Together they
Theater
Script
Theater
Script based on Leo Tolstoy”s Prose, ‘Three Questions’.
Characters:
Tsar,
Learned man 1, Learned man 2, Learned man 3, Learned man 4, Hermit, Bearded
man.
Place:
Palace of
the Tsar.
Script
Seen - I
[Curtains drawn back]
Tsar: (Walking at his palace, thinking and saying in his mind) If I know
the right time to begin everything, if I know who are the right people to
listen to, and whom to avoid ; and , above all, it I always know what is the
most important thing to do, I will never fail in anything I may undertake.
[Some learned men are coming to the
palace and seeing the Tsar]
Learned man -1 : Your Royal Highness, do you have any
confusion? Can I help you?
Tsar : Yes, I am just thinking about you
all. Can you give me the answer of my questions. If you give me the right
answers, I shall give you a great reward to you.
Learned man -2 : (politely)
please tell us about
your questions.
Tsar : (loudly)
I just want to know what
is the right time for every action, and who are the most necessary people, and how I may
know what is the most important thing to do?
Learned man -3 : My Lord, I think one must draw up in advance, a table
of days, month and years, and must live strictly according to it. Only thus you
can be done at its proper time.
Learned man -4 : Your honor, It is impossible to decide
before hand the right time for every action: but that, nor letting oneself be
absorbed in idle past times, one should always attend to all that is going on,
then do what is most needful.
Learned man -1 : Your Royal Highness, It is impossible for one man to decide
correctly the right time for every action, but that he should have a council of
wise men, who would help him to fix the proper time for everything.
Learned man -2 : Your honor, it is impossible for the
council to make out what is going to happen. It is only magicians who know the
right time for every action, one must consult with a magicians.
Tsar : (Unhappily) I am not satisfied with your answer. Now tell
me who are the most necessary people?
Learned man -1 : Your honour, the most needed are your
councilors.
Learned man -2 : My Lord, I
think Priests are the most needed.
Learned man -3 : Your honour, the most needed are the
doctors.
Learned man -4 : My Lord, I think the Warriors are
the most necessary people.
Tsar : (In Utter Surprise) No, I think your
answers are not fully correct. Now tell me what is the most important thing?
Learned man -1 : Your Royal Highness, the most important thing in the
world is science.
Learned man -2 : Your honour, it is the skill in
warfare.
Learned man -3 : My Lord, the most important thing
in the world is religious worship.
Tsar : (Loudly) Your answers are quite well
but I am not satisfied with your answers. Being different answers I do not give
any reward to all of you.
Seen – II
[The Tsar left them and goes to bed]
Tsar : (Saying aside) Now the hermit only
can give the answer of my questions because he only has a great innet wisdom.
But he only meets with the common folk. So I shall go to meet him indisguish.
[Rising from
his bed putting on simple clothes the tsar is going with his body guard to the
forest to meet the hermit. Dismounting from his horse and leaving his body-guard
behind, going alone to the hermit’s hut.]
Tsar : (Respectfully) your honour, how are
you? I have come to ask you to answer of my three questions. How can I learn to
do the right thing at the right time? Who are the people I most need, and to
whom should I, therefore, pay more attention than to rest? And, what affairs
are the most important, and need my first attention?
Hermit:
(listening the and keeping quiet, spit on hand and digging beds)
Tsar : (looking at hermit) You are tired,
please give me the spade and I want to
work awhile for you.
Hermit:
(giving the spade and sitting down) Thanks.
Tsar : (digging beds) Excuse me hermit, please
give me the answer of my three
questions.
Hermit:
(stretching out his hand for the spade) you have dug two beds. Now rest
awhile and let me work a bit.
Tsar : It is a great pleasure to work for
you, I am not tired ( continue digging and the sun setting off behind trees, at
last striking the spade into the ground) I came to you wise man for an answer
of my questions. If you give me none, tell me so, and I will return home.
Hermit:
(pointing out somewhere) Here coming someone running, let’s see who it
is?
Tsar : ( turning round and seeing a bearded
man come running out of the wood and the holding his hands pressing against his
stomach, and blood is flowing from under them) There is a bearded man and a
large wound in his belly.
Hermit:
Please do something for him.
Tsar : (unfastening the man’s cloth, washing the wounds and
bandaging with his handkerchief and with a towel of the hermit) Your majesty,
the blood is not stopping.
Hermit:
Then again and again remove the bandage soak the wound.
Tsar : (removing the bandage) The blood is
ceased and he is reviving and saying something.
Bearded Man : (moaning) I want to drink water.
Tsar : (bringing a glass of fresh water)
Please drink it.
[Lying on
the bed the man drinking and closing his eyes and the Tsar crouching down on
the threshold and falling asleep]
Seen – III
Tsar : (awaking in the morning) where I am ?
Oh! I have come here yesterday.
Bearded Man : (lying on the bed and gazing intently at the Tsar with
shining eyes) My Lord, forgive me!
Tsar : (politely) I don’t know you, and have
nothing to forgive you for.
Bearded Man : My Lord, You don’t know me but I know you. I am that enemy of yours
who swore to revenge himself on you, because you executed my brother and sized
his property. I knew you have come alone to meet hermit, and I resolved to kill
you on your way back. But the day passed you did not return so I came out from
my ambush to find you, and I came upon your body guard, and recognized me, they
wounded me. I escaped from them, but should have bled to death had you not
dressed my wound.
Tsar : Oh! I see.
Bearded Man : (crying) My Lord, I wished to kill you, and you have saved y life. Now,
if I live and if you wish it, I will serve you as your most faithful slave, and
will bid my sons do the same please forgive me!
Tsar : I am very glad to have make peace
with my enemy so easily, and to gain him for a friend and I not only forgive
you, but I would send my servant and my own physician to attend you, and
promise to restore your property.
Bearded Man : (leaving from there) Thanks.
Tsar : (going
out into the porch looking around for hermit, seeing the hermit near the beds) your honour, for the last time I pray
to answer my questions, wise man.
Hermit: (sowing seeds in the beds) you
and looking at the Tsar) You have already answered.
Tsar : your honour, I can’t understand how
you have given the answers.
Hermit:
Do you not see, if you have not pitted my weakness yesterday and have
not dug those beds for me, but have gone your way that man would have attacked
you, and you would have repented of not having stayed with me.
Tsar : your honour, you are correct but I don’t
understand it fully. Please clear it.
Hermit:
So the most important time was when you were digging the beds and I was
the most important man and to do me good was your most important business.
Tsar : your honour, I quite understand it. Please
define more wise man.
Hermit:
When the man ran to us, the most important time was when you were
attending to him, for you had not bound up his wounds he would have died
without having made peace with you. So he was the most important and what you
did for him was your important business. Remember then: there is only one time that
is important – Now! It is the most important time because it is the only time
when we have any power. The most necessary man is he with whom you are, for no
man knows he will ever have dealings with anyone else: and the most important
affairs is, to do him good, because for that purpose alone was man sent into
this life.
Tsar : your honour, you are great. I
understand clearly. Thank you.
[Curtains]
Theatre Script of Strong Roots (Wings of fire) For a Project work of class -XII
Film/Theatre script
·
Introduction
What is film?
A film is a
series of still images which creates an illusion of moving images when on a
screen. This helps us to discover continuous motion between different objects
viewed rapidly in succession.
The process of film-making is both
an art and an industry which include an optical sound track, which is a graphic
recording of the spoken words, music and other sounds that are needed to
accompany the images.
·
What
is Theatre?
Theatre is one of the most popular forms of fine art. It
is a collaborative form of art. In this form of art we find live performers who
present real or imaginary events of our life. It is performed in front of an
audience live in an auditorium or sometimes on an open-air state.
·
What
is a script?
A script is
a written form of outline which contains audio, visual, behavioral and
linguistic elements which are needed to present a life-like situation. Script
is very important because film and theatre require a team effort consisting of the
director, the editor, actors, actresses, technical persons, makeup artistes
etc. Together they
Theater
Script
Theater
Script based on A.P.J.Abdul Kalam’s autobiography ‘Strong Root’ (Wings of Fire)
Characters:
Kalam,
Kalam’s Father (Jainulabdeen) , Klam’s mother (Ashiamma)
Place:
House of the
Kalam
Script
Seen - I
[Curtains drawn back]
[In the reading room Kalam was reading and Kalam’s father enters wearing traditional
attire]
Jainulabdeen
: (Enters into the
room where Kalam was reading)
What are you reading Kalam?
Kalam
: (respectfully)
Father, I just reading the history of India.
Janulabdeen
: (casually)
Kalam, do you know anything about our Rameswaram?
Kalam
: (loudly) Rameswaram is the island town in the
erstwhile of Madras State.
Jainulabdeen: Yes, you
are fully correct.
Kalam: Father (politely)
I want to know about you.
Jainulabdeen: (In a
dreamy way) I am very proud of my son. You ask a good question. (In low voice)
I had neither much formal education nor much wealth and despite these
disadvantages I have been continuing my religious cultural life. You were born
in a middle class Tamil family.
Kalam: (respectfully) I know father.
Jainulabdeen: I know my
son knows everything. Do you know Kalam how many people feed at our home?
Kalam
: No, I don’t
recall the exact number father.
Jainulabdeen
: (Standing from
Sitting) Do you know anything about your mother’s family?
Kalam
: (Respectfully
Saying) My mother’s linage is the more distinguished, one of her
forbears having been bestowed the of ‘Bhadur’ by British. I also know you are the ideal couple.
Jainulabdeen: (Sitting)
what do you know about your house?
Kalam
: I live in
our ancestral house, which was built in the middle of the 19th
century and it is fairly large pucca house, made of limestone and brick, on the
Mosque street in Rameswaram.
Jainulabdeen: (In a dreamy way)
yes, you are fully correct. I am proud of my son. You see, I always avoid all
inessential comforts and luxuries, and I want to give my all essential things
to you but I am not a reach man. I only can give you cloths, foods and
medicine.
Kalam
: You are
very good father. I don’t need anything father. I have a very secure childhood,
materially and emotionally.
Jainulabdeen
: Ok my son, now close your book and you go to eat.
Kalam: Ok, Thank
your father.
Seen
- II
[Mother is in kitchen, decorating food items, Kalam running to the
kitchen]
Kalam
: (sitting on the
floor of Kitchen) mother I am hungry, please give me food.
Ashiamma
: (looking at Kalam) Don’t hurry Kalam. Is there any banana leaf?
Kalam
: No, mom.
Ashiamma
: ( come with
banana leaf and foods ) Kalam take this banana leaf.
Kalam
: (take the
leaf and place it) mother how many things you have cooked today?
Ashiamma
: (Smilingly) Today’s items are rice, aromatic
sambar, sharp, pickle and coconut chutney. (gives them one by one and sitting
beside Kalam)
Kalam
: Thank you
mother, I have completed my eating.
Seen – III
[In the evening Kalam going with
his father to a Mosque for evening prayer wearing a traditional attire]
Kalam
: (Suddenly)
Father, why does our Rameswaram famous for?
Jainulabdeen
: (simply saying)
Rameswaram is famous for the Shiva temple and you know it is about ten-minute
walk from our house.
Kalam
: Father, is
there any Hindu?
Jainulabdeen
: (loudly)
yes, our locality is predominantly Muslims, but there are a lot of Hindu
families too, living amicable with their Muslims neighbors.
[Reaches at the Mosque and
returning after prayer]
Kalam
: (Curiously)Why are the people waiting for you out side of the
Mosque?
Jainulabdeen:
They are
waiting to solve their problem.
[Near to the people Kalam seeing many of them offer bowls of water to his
father and father dips his fingertips in them and say a prayer, someone gives
him thank and then they going in front of Rameswaram Temple]
Kalam
: (indicating
some in front of Temple) Father, who is the person at
the Temple?
Jainulabdeen: (Softly)
He is Pakshi Lakshmana Sastry, the high Perist of Rameswaram Temple. He is also
a very close friend of mine and I often discussing spiritual matters with him.
Now let’s go home.
Seen – IV
[This routine is going for some years , Kalam is now eighteen years old, in
the reading room Kalam was reading and Kalam’s father enters wearing
traditional attire]
Kalam: Father, I
have a question in my mind. What is the relevance of prayer?
Jainulabdeen: (Thinking something and saying) Nothing is mysterious about prayer. It makes possible a
communion of the spirit between people when you pray; you transcend your body
and become a part of the cosmos, which knows no division of wealth, age, caste
or creed.
Kalam: Father, Is
there anything good or bad?
Jainulabdeen:
In my own time, in my own place, in what I really am, and
in this stage I have reached –good or bad – every human being a specific
element within the whole of the manifest Devine Being.
Kalam:
Then why do we afraid of difficulties, sufferings, and
problems?
Jainulabdeen: (Standing) when troubles come, try to understand the relevance of
your sufferings because Adversity always presents opportunities for
introspection.
Kalam:
(Respectfully) Why don’t you say this to the people who come to you
for help and advice?
Jainulabdeen: (puts his hand on Kalam’s shoulders
and looks straight into Kalams eyes, and answering in a low, deep voice) When ever human beings find themselves alone, as a
natural reaction, they start looking for company. Whenever they reach an
impasse, they look to someone to show them the way out. For the people who came
to me in distress, I am but a go between in their effort to propitiate demonic
forces with prayers and offerings.
Kalam:
(listening motionlessly with
enthusiasm) Oh! What a speech. I shall remember this
forever and ever.
Jainulabdeen: (interrupting) I know
this is not correct approach at all and should never be followed. You must
understand the difference between a fear-ridden vision of destiny and the
vision that enables to seek the enemy of fulfillment within ourselves.
Kalam: Father , is
there anything special to rise early ?
Jainulabdeen: Yes, you
know I start my day at 4 a.m. by reading namaz before dawn, and walks four
miles to go coconut grove. I return by
walking with a dozen of coconut tide together thorn over my shoulder. It’s a
great exercise.
Kalam: (politely saying) Father, I throughout my life try to follow you and your
Devine theory also. You are my best guide and teacher.
Asleep in the Valley Arthur Rimbaud short questions and answers
Asleep in the Valley short questions and answers for class- XII
1. ‘Asleep in the valley’ is the poem about—War.
2. ‘Asleep in the valley’ is—Italian sonnet.
3. The green valley was—Small.
4. The stream flows through the—small green valley.
5. The
feet of the soldier were among the—flowers.
6. The smile of the soldier was like—an infant/child.
7. The rest of the soldier could not be
disturbed by—the
humming insects.
8. The soldier was lying—open mouthed.
9. The head of the soldier was lying on the pillow
of—fern.
10. His one hand was on—his breast.
11. The sitting of the poem is—a bosky pit.
12.Who composed
the poem ‘Asleep in the Valley’?
Ans. Arthur Rimbaud has composed
the poem ‘Asleep in the valley’.
13. What was
Rimbaud’s nationality ?
Ans. Rimbaud was a French.
14. What is the
theme of the poem ‘Asleep in the valley’?
Ans. The theme of the poem is the
futility of war.
15. Where from
does the sunrays come ?
Ans. The stream of sunrays comes
from the mountaintop.
16. How old is
the soldier?
Ans. The soldier is very young.
17. How does the
soldier lie ?
Ans. The soldier lies open-mouthed.
18. What is the
soldier’s pillow made of ?
Ans. The soldier’s pillow is made
of fern.
19. Where is the
body of the soldier stretched out?
Ans. The body of the soldier is
stretched out in the grass under the sky.
20. What does the
expression ‘heavy undergrowth’ suggest ?
Ans. The ‘heavy undergrowth refers
to the bushes and plants among which the soldier delightfully sleeps.
21. How does the
poet describe the soldier’s smile ?
Ans. The young soldier’s smile is
as pure and innocent as that of a child.
22. Where do the
soldier’s feet lie ?
Ans. The soldier’s feet lie among
flowers.
23. Where does the
slow stream flow ?
Ans. The slow stream flows through
the valley.
24. How does the
stream look like ?
Ans. The stream looks like long
strands of silver.
25. What is
suggested by the word ‘hollow’ ?
Ans. The word ‘hollow’ suggests a
valley surrounded by mountains.
26. What are the
sunrays compared with ?
Ans. The sunrays are compared to a
softly flowing stream.
27. What does the poet ask Nature to do ?
Ans. The poet
asks Nature to take pity on the soldier sleeping in the valley and provide him
warmth so that he may not catch cold.
28. What are the
insects doing ?
Ans. The insects are humming,
perhaps trying to wake the soldier from his sleep, but in vain.
29. What do the two
red holes depict ?
Ans. The two red holes depict
bullet wounds in the soldier’s body and the poet reveals the fact that the
soldier is dead.
30. What is meant
by the phrase ‘Sun-soaked bed’ ?
Ans. The phrase ‘sun soaked bed’
suggests that the valley absorbs the warmth of the sun and lush vegetation
grows there abundantly.
31. How can you say
that ‘Asleep in the Valley’ is an anti-war poem ?
Ans. ‘Asleep in the Valley’ is an anti-war poem because the ending of the
poem implies our pity at the untimely and unfortunate death of a young soldier.
32. “…..In his side there are two red holes”
What do the
‘two red holes’ in the poem, ‘Asleep in the Valley’ signify ?
Ans. The two red holes in the side
of the soldier suggest two bullet wounds
which have caused his death.
33. What is the
setting of the poem ?
Ans. The setting of the poem is
probably the Franco-Russian war of 1877 or the Franco-Prusian war of 1870.
34. Who is asked
to keep the soldier warm?
Ans. Nature is asked to keep the
soldier warm.
35. Why cannot the humming insects disturb the soldier’s
rest ?
Ans. The soldier is dead, so
nothing can disturb the soldier’s rest.
A slow
stream—a small river flows slowly, strands—yearn, stream—the sunrays flow like a stream from the top of the
mountain, rays—sunrays, hollow—the valley like a hole from
the top , stretched—extended, undergrowth—grass and shrubs that
grow in plenty in the valley, humming—making a soft continuous sound .
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